Reviewish: Swords v. Cthulhu

Getting back in the review saddle, post-graduation and what a way to start off - with an anthology! I received an advanced copy for the purposes of review, and am delighted to say it didn't let me down.

Swords v. Cthulhu 
edited by Molly Tanzer and Jesse Bullington
Stone Skin Press

If you purchase directly from Stone Skin Press, you get the ebook version for free.

It's no secret that I loved-more-than-words Bullington's previous editorial release through Stone Skin Press (Letters to Lovecraft) for its blend of Lovecraftiana and Academia. It tickled every possible soft spot I have for Lovecraft-inspired work and my desire to see creative work intersect with academic analysis. I have a warped sense of fun, what can I say? I didn't honestly expect this anthology to hold up against that benchmark, but in its own way, it absolutely did.

A spiritual successor to Shotguns v. Cthulhu (which I didn't review), this collection requested a few primary markers to tie the whole thing together; "a Mythos element, an action sequence, and melee weapons [to] carry the day." Did it deliver? Yes.

The collection of talent alone (and a delay in responses to submissions due to the high number of writers trying to get their tentacles into this door) is impressive. From Stone Skin Press;

Natania BARRON • Eneasz BRODSKI • Nathan CARSON

Michael CISCO • Andrew S. FULLER • Adam Scott GLANCY

Orrin GREY • Jason HELLER • Jonathan L. HOWARD

John Hornor JACOBS • John LANGAN • L. LARK

Remy NAKAMURA • Carlos ORSI • M. K. SAUER

Ben STEWART • E. Catherine TOBLER • Jeremiah TOLBERT

Laurie TOM • Carrie VAUGHN • Wendy WAGNER • Caleb WILSON

Most remarkable about this collection overall was the zest and gusto that I felt from many of the stories. I had a strong sense that this was reflective both of the authors and the editors in charge of the project.

Hands down, my favorite of the lot was Orrin Grey's "A Circle That Ever Returneth In" which draws the reader in with a Choose Your Own Adventure narrative, using Lovecraft's "Shining Trapezohedron" (from "The Haunter of the Dark"). Grey is deft with his application of the second-person narrative, and the piece evoked a lot of nostalgia for old D&D modules. But, lest you think the format is all fun and games, Grey doesn't let readers off the hook; this narrative is true to the sense of dread and entropy endemic to the Mythos. On my first read-through, I probably got the best ending a poor soul could hope for...  (A small note: this was also the most problematic story for me to enjoy in the true spirit of things, since I was reading from a PDF. At the time of this writing, there is no digital option on Amazon, but be aware.)

In juxtaposition to Grey's playful approach, other authors offered darker and more stark stories. John Hornor Jacobs' "The Children of Yig" is one story to take a Norse approach, yet steers clear of making heroes out of a historically violent culture. Still, it was easy to slip into Grislae's story; there is always sympathy to be had, even when your protagonist is a pillaging, murdering raider--particularly when that protagonist must inevitably come up against creatures of the Mythos.

Overall, this collection is solid and I would happily recommend it to readers interested in fun stories that still remain true to the heart of despair that beats in the dark universe of the Mythos.

If you're still curious but not yet convinced, check out the Sword v. Cthulhu Teasers over on the Stone Skin Press site, where you can sample the stories included in this collection.

5/5 Stars!

Reviewish: Vermilion

On April 15th, Molly Tanzer’s debut novel Vermilion is officially released. Word Horde graciously provided me with an uncorrected review copy and it was, perhaps, the best thing that’s happened to me so far this year. (You can pre-order Vermilion  from their site (as a bundle of print & electronic format of your choice), or on Amazon (just the Kindle version).)

I will begin this review by saying this: I cannot hope to communicate just how good I think this book really is. I can only try to share how much I enjoyed it and where I think its strengths lie so that you (dear reader) can perhaps be persuaded to give it a read.

Vermilion has been reviewed by folks with better qualifications than mine. It has been called a Weird Western adventure story - and it is that! It’s also a Steampunk story. I’m not good at classifying some books, but in these two classifications there’s something missing for me - what do we call fantasy fiction that makes a little magic real? It’s not the weirdest of the Weird West and it’s not the steamiest (not like that) of the Steampunk, but instead it settles into a very comfortable space that isn’t too much of any one thing. This gives Vermilion a special flavor all its own, and suits my tastes quite nicely.

In carving out this corner for itself - not being too weird, not having too many gears, and seeming almost like historical fiction except for a few small secondary-world style tweaks - Vermilion occupies a territory that appeals to me as a reader and as a person. With an overactive imagination, the world often slips into that between space of “what if just a little magic were real,” and that’s where I like it. It’s like real life, sprinkled with a little something extra. This, I think, is also a very good way to avoid the obvious pitfalls of genre fiction (in regards to tropes & stereotypes), but that’s a topic for another day. 

Vermilion is the story of Elouise Merriwether - Lou for short. Lou is half-Chinese and lives in San Francisco in the late 1800s, but on an alt-Earth. Here, alchemy is real and ghosts are a problem with legislation in place to solve. A problem Lou is plenty capable of handling as a Psychopomp (she guides the souls of the dead into the afterlife, but she’s not a ferryman - she only opens the way). She also gets by in many situations by letting people assume she’s “Mr. Merriwether” – Tanzer touches on some gender fluidity topics in what I considered a graceful and engaging manner.

Here, the railroad expansion into the West has been halted by political complications in the post-Civil War era. In this world, the Bears and some other creatures are sentient members of the world, with their own influences and power. This situation overlaps with Lou’s life when young men from within her community go missing after answering the call for railroad work that no longer exists.

This is where and how Lou’s adventure really begins.

I read this book in just a handful of hours, the first time. I’ve read it two more times since. I’m not a big re-reader, but of late I’ve encountered more and more stories that grab me hard enough that I feel compelled to revisit them; Vermilion holds the title for being the most compelling. That’s saying something, given how rich I consider other reads, like Stant Litore’s No Lasting Burial. Of course, this might be influenced by the slightly lighter nature of Vermilion.

Molly Tanzer’s writing really pulled me in. The writing perspective is third person, but limited and very close to Lou. There’s an attitude in the prose that reflects Lou and helps connect the reader to her. I’m an empathetic reader, so when Lou was frustrated, I was frustrated for her. When she was confused, I felt that confusion. It was easy and enjoyable to connect with Lou. She has a healthy amount of cynicism and sarcasm, with just the right amount of sass and stubbornness, and rounds those aspects out by being a generally good human being with a decently strong sense of what’s right and what’s wrong.

As an aside, of sort: Guys, this book addresses (albeit briefly) notions of xenia! It’s directly mentioned. This is a big deal for me. (Xenia is Greek, and refers to the rituals of hospitality and courtesy offered to those far from home. It’s a big deal in texts like The Odyssey.) I got so excited when I saw this, I squee’d just a bit. Out loud. On the bus.

Lou is a strong presence on the page. There’s a lot of mystery about her, on a deeply personal level, and it’s not all unraveled for the reader. This is to say - in the same way that you can know almost everything about your best friend, there will always be a layer of mystery to them, as they are constantly figuring themselves out. Lou is faced with a lot of decisions that speak to and shape the very core of who she is. This is something I enjoyed, immensely, and I’m hopeful there are future adventures for Lou that I can join in on as a reader.

Even better than this level of wordsmithing was the crafting of the plot. Initially, I had some very strong ideas about where the story was going to go - the “what’s going on” of it all. If you read enough books, watch enough movies, you start to get ideas about where a story is going. Sometimes predictable isn’t a bad thing (and had Vermilion been predictable for me, the writing was still good enough I would not have cared). It turned out though, that I was wrong in a pretty big way! Despite this, where another story might’ve not read true to itself (I drew my conclusion based on what I thought were clues in the story), Vermilion unfolds as though this were the only path the story could have taken, and it was the most perfect one. 

I won’t tell what I thought was going on, nor what was really going on; what I will say is that it is amazing to see this sort of craftsmanship in a debut novel. (This is not, however, Tanzer’s first dip in the pool of writing. Check out some of her other work!)

I think I’ve rambled far too much already – if I haven’t convinced you yet, I may not be able to do so at all. Vermilion is a wonderful read with just the right amount of strangeness and a whole lot of heart. It is engaging and delightful with a good balance of ups and downs, and a lot of interesting turns in plot that I never saw coming, but was excited to discover.

Pre-order it! Let’s show Molly Tanzer the love – and maybe get some further adventures of Lou Merriwether!

Molly says it best:

Pre-orders count towards crucial first week sales, so it’s a lovely way to show your enthusiasm for an author and his/her work. Plus, the bundle via Word Horde includes a signed copy, and an ebook in the format of your choice! You can keep one for yourself and give one as a gift!

My Books Multiply Like Rabbits

Last weekend (10/19 - 10/21), I attended MileHiCon, in Denver, Colorado. I'd love to sum it up in a single word, but that would require me being some kind of word magician like Lewis Carroll and creating a nonsense word that meant what I wanted it to mean due to other words not quite cutting the mustard. (That's a long sentence!)

There's a lot to tell! I cannot communicate to you how excited I am, or how - a whole week - I am still riding the high of being surrounded by authors of all gradients and immense talent. They are also full of splendiferous ideas and gracious hearts and humility and wonderful things of every sort. I've no doubt they are "just human" as well, which makes all the rest that much more sparkling.

I'm going to take a risk here. Let me explain:

Typically, I like the approach of "if I'm going to list/link some, I should do my best to list/link all" - but let's be honest here. That would be a MAMMOTH undertaking. What I will do, instead, is try to mention all of the authors to whom I listened on panels when I talk about their specific panels. For today, I wanted to talk about the big pile of books I bought.

I had the opportunity to meet and talk with each of the Guests of Honor (I even got to hang out with a couple of them, and engage a couple in earnest, if brief discussions). I'll admit it, even talking about it here, I am squee'ing inside. It's difficult to pick a place to start, so I'll go with... books!

I bought MANY books this weekend. And some of them have stories behind them.

Cherie Priest

I finally got to meet Cherie! A long time ago (about 12 years now), I had a LiveJournal (I still have it, I just don't use it so much), and through that LJ I met many wonderful people. Among them are more than a couple of ladies who have since become published and successful authors. (I feel there IS a difference between published and successful, I can talk more about that later if someone is curious.) Cherie is one of those ladies, and I've been so happy seeing her get her due from the publishing and reading world. As a result of meeting her, of being so excited to realize that she is as much of a genuine person in "real life" as she seems through her site & blogging, I purchased almost all of her books that I could find in print. Yeah. Major hetero-girl-crushing.

Books I bought and why:

Boneshaker
Ganymede
Dreadnought

These are the books that broke Cherie into the limelight. I'm pretty sure it's about time that I gave them a read.

Fathom

Cherie's first Publisher's Weekly starred reviewed book. Seems like it didn't get its due, and I've been excited to read it for many years now.

Bloodshot
Hellbent

Well, what can I say. She calls them her "Trashy Vampire Novels" but that's not what drew my attention. During a panel, she talked about the old vampire folklore that discussed one of the ways to escape the undead abomination was to throw grain or rice or sand or pebbles on the ground in front of the monster. It would then be forced to stop and count the discarded objects. All of this links to the notion of OCD, and Cherie said that her protagonist was "a vampire with OCD" - I was hooked. I've read the first chapter of the first book and am enjoying it.

CJ Henderson

What can I say? I've never been happier to be surprised. I went to the convention MAINLY to get a chance to meet Cherie and to HOPEFULLY sit in on some great panels. I didn't intend to have as great of a time as I did. In the course of things, I went to a panel that consisted of all of the Guests of Honor. At that panel, I had the opportunity to 'meet' CJ Henderson for the first time. His charisma and his no-bullshit attitude won me over in a heartbeat.

I am a living example of his belief that an author earns their fans one at a time. I didn't even really know who he was (I figured out later that I had done a lot of reading about his character Lai Wan), but after that... I had to read something of his. I browsed a local bookstore in the dealer room and found:

What You Pay For

Now, here's where things get even more amazing. Daring to dare, I went to the Autograph Alley and approached Mr. Henderson to get him to sign the book. Meek creature that I can be, I explained (apologetically) that I had not really known who he was, but he made such an impression, I had to pick up something of his from the store. I pulled "What You Pay For" out of my bag. He laughed - a short and surprised and utterly delighted sound. Turns out, the main character in this collection of stories... one of his first, and one of his favorites. Immediately, he flipped into the book and started reading to me, in Jack Hagee's voice. It was amazing; a lil mini reading just for me.

I've read a few pages (this seems to be a trend), and love it. I've always liked detective fiction (not mystery/crime, which I feel are SLIGHTLY different), and I think Jack Hagee and I are going to get along quite well.

Molly Tanzer

A Pretty Mouth

I saw Molly on a panel back at Denver Comic Con and immediately loved her hair. At MileHiCon, I got to meet her and even hang out a little bit (under the influences of some alcoholic beverage(s)). So very glad I did! As a result, I picked up her newly released book as well. I even got her to sign it! ...because why not? I've read a couple pages and am looking forward devouring the rest.

Eventually, my hope is to read and write at least a little review on all of this - as well as delve more into each of these authors' bodies of work. You know, and perhaps one day sit on a panel with them.